Put on your super suit, but be sure to take off the cape! We discuss Pixar’s “The Incredibles”, a spectacular story of superheroes, being your best self, family, mid-life crises, and the dangers of machine-learning AIs.
Our review of Pixar movies reaches 2010’s “Toy Story 3”, the first film in more than a decade for a bunch of classic characters. Are the toys traveling from purgatory to hell to heaven, Divine Comedy-style? Who’s working on that garbage truck? Does the climactic slide to death go too far? And yes, our panel of parents gets a bit weepy as Andy prepares to go off to college.
Ride like the wind, Bullseye! Our survey of Pixar films continues with “Toy Story 2,” the movie that introduced us to that Pixar Moment. You know the one. (Bring tissues.) We also discuss the philosophy of the Toy Story movies, a bunch of amazing gags, the state of the art of computer animation in 1999, and a whole lot more.
Pixar’s latest film, “Inside Out,” tells the unlikely story of the conflict of emotions inside the head of a young girl. Join us as we draw a circle around our own parental sadness and instead focus on the joy of an instant Pixar classic.
Wind the frog and acquire more monkeys! It’s time for us to discuss the very first computer-animated feature film, 1995’s “Toy Story.” We ponder the rules of when toys can reveal themselves to people, question the physics of the Pizza Planet claw, and speak in defense of Sid (but not of Randy Newman). Also: Is this the end of Slinky Dog?
We love Pixar, and we’re a bunch of creative professional types. So as you can imagine, we devoured “Creativity Inc.”, by Pixar president Ed Catmull. Is it a business book or an anti-business book? How do you foster creativity? Is Pixar’s formula one that provides safety while preventing works of staggering genius? How much is a director or writer the author of a Pixar movie, and how much is the studio itself? And is the wild success of “Frozen” proof of anything?
Pixar takes on princesses with the new film “Brave.” We discuss Pixar’s mother/bear-daughter story, but also the larger issues of female characters in animation and film in general. What’s wrong with the Disney Princesses? Why can’t girls play Belle or Ariel as if they were an action hero, anyway? How does Merida compare with the female protagonists in Miyazaki’s work? Did Pixar change its own fate?
Talking “Finding Nemo,” “Toy Story 2,” and “Wall-E.” Plus, we discuss what Pixar should do next to challenge itself, try to understand why “Cars 2” was made, and pick out our least favorite thing Pixar has ever done. Hint: Jason has a problem with rats. (Part 2 of 2.)
Old men with balloons! Wisecracking monsters! Superheroes with mid-life crises! The films of Pixar are in our sights this week. Join us as we pick our favorite films and explore why Pixar’s movies are better than those from other animation studios. (Part 1 of 2.)