The first footage from the new Star Trek series, “Star Trek: Discovery” has arrived, and our crew of Trek fans has assembled to break down the details from the trailer and gauge their expectations. New Klingons! Mysterious alien objects! The potentially doomed crew of the USS Shenzhou! A holographic Sarek (and a lousy childhood on Vulcan)! A creepy alien who senses that death is near! In true Incomparable style, we talk for an hour about 143 seconds of trailer.

The Guardians of the Galaxy are back, and so we’ve convened our panel of moviegoers to break down the good and bad of “Vol. 2.” Ego’s weird art collection! Yondu’s true status as a Space Dad! Sylvester Stallone being himself! Fighting sisters, deadbeat dads, and Fleetwood Mac. We break it all down, as usual.

Channel Four and AMC’s “Humans” intrigued us with its classic sci-fi premise—what if human-like androids integrated throughout society suddenly become sentient?—when it premiered in 2015. The show’s second season recently completed on American screens, so we’ve gathered to discuss the latest developments. It’s a unique mixing of big ideas and domestic life, but does the second season suffer from the show’s reluctance to make major changes at the end of season one? What made this season so frustrating, so often? Which storylines worked—and which ones were missed opportunities? Why does Carrie Anne Moss keep talking to blades of grass stored on a server? Why would any human want to be a Synth? What’s Mark Zuckerberg doing here? We cover it all.

This week we draw your attention to another excellent TV series that recently concluded a run of episodes: SyFy’s “The Magicians”. Based on a series of books by Lev Grossman, this is a show that starts out as a mash-up of Harry Potter and Narnia and goes in some very surprising directions while continually improving in quality. Love, war, sex, fairies, gods (some evil, some capricious, some just annoying)—there’s a lot to love about this show.

In the first half of the episode we talk generally about the show and why we like it; the second half, after the Spoiler Horn, is devoted to breaking down the events of its just-completed second season.

(Content advisory: “The Magicians” contains a couple examples of sexual assault/abuse. And we talk about them.)

FX’s “Legion” TV series is based on a character from the X-Men comics, but knowing the backstory isn’t important. This isn’t another superhero comic adaptation, but something unlike anything we’ve seen before—a visual and auditory feast, great actors, and smart writing that will make sure you sit up and pay attention. If you’ve written off comic-book TV shows and movies, time to circle back and appreciate this eight-episode first season from writer/producer Noah Hawley (“Fargo”). Expensive music! Beautiful sets! And actors who used to be in “Downton Abbey”, “Parks & Recreation”, and “Designing Women”! What more could you ask for?

A bunch of people born in the 1970s discuss two films from that decade about young people coming of age: 1973’s “American Graffiti” and 1979’s “Breaking Away.” The first is a film (set in 1962) featuring young people driving around a northern California town on the last night of summer before reality sets in; the second is about young people riding bikes (and swimming in a quarry) in Indiana. The first comes from the future director of “Star Wars”; the second comes from the future director of “Krull”. Both are full of faces you will recognize. And both have interesting things to say about being young and the prospect of growing up.

We draft our favorite episodes across every “Star Trek” series, to induct 35 episodes into the Trek hall of fame. Human Play Dom-Jot?

Our Book Club reconvenes to discuss the works of novelist N.K. Jemisin, specifically her most recent books, “The Fifth Season” and “The Obelisk Gate.” We also discuss the Inheritance Trilogy, which started with “The Hundred Thousand Kingdoms.” Plus, what are we reading now?

Rarely do we devote an episode to a television comedy, but “The Good Place” earned our love and your attention. It’s a single story told over 13 half-hour episodes, with twists and turns and a lot of laughs. Why has Eleanor been sent to heaven by mistake? Why did a 70s dude high on mushrooms figure out the secret to eternal life? Why do we keep being gently reminded of Douglas Adams? Why is there a lava man in the conference room? Why does purgatory feature warm beer and Eagles live albums? We break it all down, and leave space after the Spoiler Horn to discuss the many surprising plot developments as the season went along.

Tape plastic wrap to your windows and wear a heavy jacket, because we’re revisiting Neil Gaiman’s 2001 novel “American Gods” (and its not-a-sequel, 2005’s “Anansi Boys”) before these books make it to TV screens. We appreciate Gaiman’s writing style and the tightrope he walks to tell the story he wants to tell, but have some questions about invisible gods, tall tales, roadside landmarks, and the rules of this world.