Comic book movies got you down? Too much of the same old thing? This episode has the cure for what ails you, as we pitch a bunch of great comics that we’d like to see get the big-screen treatment that would be guaranteed to enliven the genre. And maybe along the way, we’ll add to your comics reading list, too.
John - Peter Bagge’s Hate!, Stardust the Super Wizard
David - Francavilla’s Black Beetle, Will Eisner’s The Spirit, League of Extraordinary Gentleman, Jason Sudeikis’ Plastic Man, Darwyn Cooke’s Donald E. Westlake’s Parker starring Oscar Isaac, The Shadow/Doc Savage/Street & Smith Cinematic Universe, Dept. H, Thrilling Adventures of Loveless & Babbage
Monty - The Far Side, JLA/Avengers, Achewood, Little Nemo, A movie starring Mickey Mouse, a good Birds of Prey movie
Moises - Power Pack, Nextwave: Agents of Hate, Howard the Duck, Valiant Connected Universe, Strangers in Paradise, Umbral, Velvet, KaijuMax, Black Hole, 47 Ronin, The Wake, The Diaspora of 2000 AD
Lisa - Scalped, God Hates Astronauts, Infinity Gauntlet, Runaways, Leaving Megalopolis, Secret Six
Jason - Hawkeye, Venom, Dreadstar, Locke and Key, Ms. Marvel or Blue Beetle, Silver Surfer, Swamp Thing, Nimona
Grab your flowerpot and engage the rainbow drive! It’s time to discuss Steven Spielberg’s “E.T.: The Extra-Terrestrial,” the film that eclipsed “Star Wars” as the biggest grossing film of all time. What makes the film a perfect time capsule of being a kid in 1982? Does it hold up to modern eyes? Is it science fiction, fantasy, magical realism, or something else? Where did all those frogs come from? Hey, he’s an alien, we don’t know what he’s capable of.
We begin an ongoing series of looks at the Batman film series with the first two modern entrants, Tim Burton’s “Batman” and “Batman Returns.” Tony educates us on the most important traits of Batman. We recall the marketing campaign that put the bat logo on everything. We spend a lot of time breaking down the first film, and…. yeah… “Batman Returns” is also a movie that exists.
It’s time to send 2016 into oblivion! Our four most commonly-heard panelists join Jason for a look back at our favorite media stuff of last year. Then we recall some of the best episodes and moments from The Incomparable in 2016.
Striking from a hidden base, our rebellious European podcasters have once again taken over the Incomparable Death Star—er, Zeppelin—to provide their own unique opinions on “Rogue One,” the latest Star Wars film.
Put on your Kyber crystal necklace, don a stylish white cape, and keep the Force with you! It’s time to break down “Rogue One,” the first big-budget live-action non-saga “Star Wars” film. We discuss how the film juggles its many characters and settings, the issues with reviving past film elements through CGI, the splendor of Darth Vader’s bachelor pad (and the weirdness of his bathroom), the unexpectedly spectacular space battle, the vacation plans of the Empire’s records division, the film’s strange disconnection with its teaser trailer, and a whole lot more.
Get your cowboy hat and your favorite Radiohead playlist, because it’s time to venture into the park for our first-season review of HBO’s “Westworld.” Is Anthony Hopkins running Westworld the park or “Westworld” the show we’re watching? Why can’t the Man in Black take a hint? Who is good and who is evil? Are the hosts sympathetic characters or empty, scripted shells? (And can’t you ask that question that about any fictional character?) We provide some quick analysis and also ponder where the show might take us in season two.
As a new “Star Wars” movie nears its release, we turn our attention to some of our least favorite features of this franchise we love. Our panelists draft our least favorite Special Edition changes, retcons, Original Trilogy and “Force Awakens” elements, and more. Plus we each pitch a new “Star Wars” movie that can right a wrong in the existing canon.
We deconstruct and reconstruct the recent release “Arrival,” staring Amy Adams, Jeremy Renner, and Forest Whitaker, and based on a story by Ted Chiang that we discussed nearly 300 episodes ago. There’s praise for the story’s restraint, quiet tone, beautiful scenes of solitary obelisks in remote cow pastures, and realistic portrayal of its main characters. We also enter a spirited debate about the film’s sci-fi plot mechanism, the way its aliens (and alien language) are portrayed, and the morality of a choice that one character may—or may not—have made.
Submitted for your approval: A discussion of one of the finest and most influential television series of all time, “The Twilight Zone.” We dive into a few handpicked episodes and try to explain the reason why the show still resonates more than 50 years later. Is Anthony really just a misunderstood kid? Why do we hope that the Air Force re-uses its flying saucers? How much Shatnering is too much? And how many years should you let cherry brandy age? You’ll be shocked by the twist at the end of the story. (It turns out we were the monsters all along.)
The epic film about the early days of the space race, 1983’s “The Right Stuff,” is on the launch pad this week. What does the film say about modern mythmaking? Can you have too much Chuck Yeager? Is this peak Dennis Quaid? Why do astronauts have to be test pilots instead of demolition-derby drivers? We’ll figure it out. Let’s light this candle!