Step into this elevator and leave your personal biographical memories behind… Welcome, Listener I., you’re now part of Lumen, a Very Friendly Company that always has your best interests at heart. We discuss the Apple TV+ series “Severance,” and try to explain why you should watch it, what shows it resembles, and just how much we liked the twists and turns of its first season.

Put on your toque and be sure you’ve got your 4*Town tickets—we’re here to discuss Pixar’s “Turning Red,” a delightful coming-of-age movie about a Chinese-Canadian girl whose body is undergoing some telltale adolescent changes—you know, becoming interested in boys, rebelling against her parents, and transforming into a giant fuzzy red panda. The usual.

Our panel of caped crusaders assemble to dissect 2022’s “The Batman.” The last thing we may have needed was another Batman movie, especially the grimmest, darkest, and longest one ever… but what if we actually liked it? We take apart the new approaches to classic batman stories, Robert Pattinson’s performance, souped-up batmobiles, and Gotham’s weather patterns.

Our annual shortlist book club is back! We read two novels that were nominated for Best Novel in the Nebula Awards! SB Divya’s “Machinehood” is a near-future story of gig workers, weak AI servants, and rebellious space stations. Jason Sanford’s “Plague Birds” is a post-apocalyptic story about strong AIs and gene-altered people that’s so far in the future that it feels almost like fantasy. Plus: We recommend other books we’ve enjoyed recently!

Cue the electric bass and the full brass section, we’re talking Bond, James Bond this week. We make time for “No Time to Die,” of course, and the rest of the Daniel Craig era. How does it hold up, where does it go from here, what would we like to see? How does the latest movie reset the table? Were we shaken, stirred, or something in between?

Old Movie Club returns with two films that imagine attempts to disrupt the United States government. In 1954’s “Suddenly,” Frank Sinatra’s going to try to kill the President. In 1964’s “Seven Days In May,” Burt Lancaster is plotting a military coup. Both films are in black and white from more than 50 years ago, and yet for some reason Phil thinks their themes may resonate even today…

Fire up your Bernoulli Conversionator and check your trunk for stowaways, because we’re entering the Wachowski sisters’ candy-colored 2008 road rally through the Uncanny Valley, “Speed Racer.” It’s an eye-searing acid trip of a movie, with groundbreaking storytelling, an earnest heart, and a curious void at its center. (There is also a chimp.) We’ll discuss how this film fits into the Wachowskis’ canon, the supporting character whose story is way more interesting than the lead‚ and the only other big-budget film since that has dared to get this stylistically weird.

We’re back with our third Incomparable Film Festival! Nine of us are programming a day’s worth of films, all with secret themes which will be revealed as the podcast progresses! And while we are currently unable to pull off the Incomparable Film Festival in an actual movie theater, we encourage you to watch these great movies in the comfort of your own home.

We’ve drafted many things on many episodes of this podcast, but we’ve never drafted podcasts! You get it: Panelists share (and draft!) their favorite podcasts, in categories like Comedy, Narrative, Fiction, Entertainment, and more.

Get out your pocket knife and stick to the Wheel—we’re a traveling band of podcasters who move from town to town to re-enact conversations from before the apocalypse! Or at least that’s who we’d be in our version of the HBO Max miniseries, “Station Eleven.” We discuss the moving, optimistic post-apocalyptic tale that is told in a fractured time sequence and features lots of Shakespeare and a suspiciously powerful self-published graphic novel. And though there’s definitely no “Station Twelve” on the horizon, we can’t help but imagine what other stories are there just waiting to never be told.

Let’s hold hands and sneak through some eerie city ruins. Video game club is back in session to discuss “Little Nightmares II”, the creepy prequel to the beloved spooky platformer, Little Nightmares. We play as Mono, a bag-faced boy, as he and his companion navigate a world of puzzles and monsters lurking in the dark, only to be led to his own nightmare.