And now for something completely different. Rebel spy Dan Moren and reckless criminal-turned-freedom-fighter Lex Friedman take a break from the story of the Skywalker clan to watch 2016’s Rogue One, the first of the standalone anthology movies set in the Star Wars universe.
Hot topics include why droids are programmed with people-like personalities, why the Death Star flaws come in two separate parts, the convincing performance of Governor Tarkin, and hey, Jimmy Smits is back!
Programming Note: In addition to this capsule episode, which contains our discussion before and after the film, members can watch along with Lex and Dan in a full-length commentary track, available in the members-only First Class feed. If you’re not already a member, why not sign up? And if you are, now’s a great time to update your membership allocations and maybe throw a little support in the direction of Not Playing. Thanks!
Striking from a hidden base, our rebellious European podcasters have once again taken over the Incomparable Death Star—er, Zeppelin—to provide their own unique opinions on “Rogue One,” the latest Star Wars film.
The address is 1234 Jedha St, Jedha City, Jedha Planet.
Put on your Kyber crystal necklace, don a stylish white cape, and keep the Force with you! It’s time to break down “Rogue One,” the first big-budget live-action non-saga “Star Wars” film. We discuss how the film juggles its many characters and settings, the issues with reviving past film elements through CGI, the splendor of Darth Vader’s bachelor pad (and the weirdness of his bathroom), the unexpectedly spectacular space battle, the vacation plans of the Empire’s records division, the film’s strange disconnection with its teaser trailer, and a whole lot more.
Nope, Jason, John, Serenity, and Dan aren’t going to analyze the trailer for “Star Wars: Rogue One.” It’s not going to happen. It would take rebel podcasters, striking from a hidden studio, to bring this podcast to its knees…
The first teaser trailer for “Rogue One: A Star Wars Story” has dropped, and so in the spirit of our “Force Awakens” teaser breakdown, we’re back to provide frame-by-frame analysis of all 90 seconds. This is the first in a new series of “Star Wars” anthology movies, this one set before and around 1977’s original film. How do you make a period piece about a fictional period? What’s Felicity Jones’s character all about? Why does Forrest Whitaker have a Darth Vader breathing harmonica? And why does Jason refer to all droids like they’re vacuum cleaners? For some questions there are no good answers.