Barbara Stanwyck
Barbara Stanwyck (July 16, 1907 – January 20, 1990) was an American actress. A film and television star, she was known during her 60-year career as a consummate and versatile professional with a strong screen presence and was a favorite of directors including Cecil B. DeMille, Fritz Lang and Frank Capra. After a short stint as a stage actress, she made 85 films in 38 years in Hollywood, before turning to television.
Discussed in these episodes
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124 The First Feline Reference
We bring Stanwyck Summer (but not the LTS season) to a close with a draft-ish episode. Each panelist has brought us a Barbara Stanwyck film - one we haven’t talked about before on the show. Somehow, there are a number of cats.
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123 Sorry, Long Movie
This time, Stanwyck is an invalid, who’s having trouble with her phone. I would call it a straight-up female victim tale, but Babs is not what you’d call sympathetic as a character. Even so, should her husband (Burt Lancaster) be plotting her death?
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122 The Only Way To Win Is Not To Play
Stanwyck Summer continues with a “noir tragedy.” She finds herself involved with Kirk Douglas (his film debut), Van Heflin and Lizbeth Scott. Did Missy kill her very mean aunt, many years ago? Let’s find out, shall we?
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121 Chekhov's Unbroken Hand
Barbara Stanwyck (Lorna) in a boxing movie? OK, sure. But you’ll also see the film that began her lifelong friendship with William Holden. Bill (Joe) is a violinist who wants to try his hand at boxing. Because there’s money in that. Stanwyck’s Lorna is the girl who loves him. What price must Joe pay to become a success?
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120 Stella Dallas versus Veda Pierce
We begin Stanwyck Summer with one of her most iconic films, and greatest performances. Stella Dallas is pure melodrama, so sudsy that the name was taken by a radio soap opera. Stella is a working-class woman with a daughter she wants to give all the things she never had. Will she succeed? Will her daughter be grateful? Tune in tomorrow!
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100 The Smell of Murder
Forgive a film noir detour during our international vacation season. This is episode 100, and so I’ve picked a movie I love, and that feels right in the collective LTS wheelhouse. James M. Cain’s story of betrayal and murder was directed by Billy Wilder, and stars Barbara Stanwyck (natch), Fred McMurray and Edward G. Robinson. This film is full of dynamite lines, crazy sexual chemistry, and noir lighting for days.
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66 I'm Not Just Your Preston Sturges, I'm Your Indiana
Barbara Stanwyck and Fred McMurray team up, not to kill for insurance money, but to share a sweet but unlikely holiday road trip. It’s the last movie Preston Sturges wrote before he turned fully to directing. Happy holidays from your friends at Lions, Towers & Shields.
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56 John Lund is also Present
Barbara Stanwyck is back, and we’ve got her. Here’s a noir melodrama with its share of flaws that I like, regardless. And man, IMDB gives a LOT more plot than I would have. “A pregnant woman adopts the identity of a railroad crash victim and starts a new life with the woman’s wealthy in-laws, but is soon blackmailed by her devious ex.” It’s stylishly directed by Mitchell Leisen, and features lots of familiar character actors. And John Lund is also in it.
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37 House of Mean Gables
Ride with Barbara Stanwyck in an ambulance that’s on a collision course with decadent mayhem. Stanwyck gets a job as a nurse, eventually assigned to care for the children of a neglectful mom. She’s neglectful because she’s drunk and under the influence of a sadistic Clark Gable. And oh look, Joan Blondell is in this one, too. Directed by “Wild” Bill Wellman. The film is among the first rank of early 30s precodes.
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21 Yum Yum and the Nerd
It’s “Ball of Fire.” Howard Hawks directs; Billy Wilder writes. And Barbara Stanwyck is Sugarpuss O’Shea, who hides out from the cops with a group of dotty professors working on a new encyclopedia. Gary Cooper is in it too, along with S.Z. “Cuddles” Sakall, Richard Haydn and many more. It’s a comedy classic. Even so, we manage to drop many many hot takes.
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3 More Permy Over Time
Lily has had a rough life. Her father has basically been pimping her out, and she's had it! She and her friend Chico, who happens to be a black woman, take off for New York so Lily soon begins climbing the corporate ladder, using each corporate executive s weakness to obtain what she wants. Because that's how Nietzsche would want her to do it. "Baby Face" is a quintessential pre-code movie. And it had a lot to do with the code being enforced a few months aster its release.