Lions, Towers & Shields is a celebration of films from the classic, Hollywood era. Shelly Brisbin leads a merry band through reviews of great old movies, and news about streaming, restorations and new releases.

32

Filmed on Satin

It’s the best-loved of the four movies Katharine Hepburn and Cary Grant made together, and the one that also stars Jimmy Steward. Another George Cukor production, this was Hepburn’s triumphant entry into MGM, and her middle finger to the “box office poison” label of the late 1930s. “Hullo, George!”

Shelly Brisbin with Annette Wierstra, Paul Sabourin, Micheline Maynard and Judy Samelson


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31

The Patriarchy: You’re Swimming In It

Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard and a stellar cast of supporting actresses are just doing the best they can, moving through their upper-class New York world.

Shelly Brisbin with Annette Wierstra, Deborah Stanish, Lisa Schmeiser and Judy Samelson


30

There are No Tigers in Mexico

Bogart, Huston and Holt go hunting for gold in Mexico, and they find it. But it’s unlikely they’ll get to keep it. John Huston’s 1947 “Treasure of the Sierra Madre” includes some of the best performances of the three lead actors’ careers, and a lot of visual flourishes, social commentary and a giant blob of irony.

Shelly Brisbin with Dr. Drang


29

Lee Marvin is Evil Ted Lasso

John Sturges’ “Bad Day at Black Rock” takes place soon after World War II, but it feels like something out of the Old West. You could also call it “daylight noir.” Spencer Tracy faces off against Robert Ryan, Lee Marvin, Ernest Borgnine and a whole bunch of townspeople with something to hide. We talk about filmmaking techniques, performance and how a one-armed dude survives his 24 hours in Black Rock.

Shelly Brisbin with Dr. Drang, Philip Michaels and Nathan Alderman


28

Hitchcock Tilts at Windmills

Or. What if Santa Claus Pushed You off a Tower?

One of Alfred Hitchcock’s earliest American films is among the most enjoyable to watch. Joel McCrea is the reporter of the title, off to find out what’s happening in Europe for the benefit of a prewar American audience. Spies, murder and amazing character actors abound, along with some extraordinary Hitchcock set pieces.

Nathan Alderman with Shelly Brisbin and Micheline Maynard


27

That Time Joel McCrea was a Total Jerk

The usually affable Joel McCrea is sort of the hero, but not exactly lovable. And Ginger Rogers may have done everything Fred Astaire did “backwards and in heels” but here, she is not living her best life. “Primrose Path” takes an unrelenting look at a dysfunctional family. It was unusual for its time, and gives the two leads a lot to do.

Shelly Brisbin with Nathan Alderman


26

You Were Made to be Murdered

Hark! Is that the sound of a zither? Carol Reed’s The Third Man (1949) stars Orson Welles and Joseph Cotten, not necessarily in order of screentime, it’s a post-war noir classic, set in Vienna, with compelling photography, plot and performances. This episode is also The Incomparable’s second look at this film.

Shelly Brisbin with Dr. Drang, Jean MacDonald, Micheline Maynard, Philip Michaels and David J. Loehr


25

Warren William: Cookie Monster

He’s largely unknown today, but Warren William had an important role in what we know today as pre-code film. Sadly, many of his films are neither streaming or rentable. but we did find one that shows off his seedy side. If you’d like more recommendations, listen in. William usually played a dapper, middle-aged villain with a taste for much younger women, and a line that would get him what he wanted. As we say in this episode, think William Powell, but sinister. After his pre-code days, William played Perry Mason in several films, as well as a detective called the Lone Wolf.

Shelly Brisbin with Nathan Alderman and David J. Loehr


24

Mistimed Sobs

We go full-on romance classic with Random Harvest (1942), starring the luminous Greer Garson and the handsome and very English Ronald Colman (she’s Irish.) It’s a golden age, big studio production, and it’s great. There’s love, there’s war (or the aftermath of war), there’s loss of memory… I’ve said too much already. I unreservedly love this one, and not for any knowing precode touches or hard-boiled characters. I love it because Garson and Colman are great together and it made me cry and stuff.

Shelly Brisbin with Deborah Stanish, Frank Feuerbacher, Mois├ęs Chiullan, Erika Ensign and Annette Wierstra


23

A Perfect Spherical Cow

Let us consider 1949’s The Fountainhead, the first filmed version of an Ayn Rand novel, though it’s not the first time Rand’s words were spoken onscreen. She worked as a writer in Hollywood while nursing her brew of objectivist beliefs and turning them into some, um, interesting books. Our film stars Gary Cooper and Patricia Neal, and is based on Rand’s novel of the same name. So, how do we feel about all this? Listen and find out!

Shelly Brisbin with David J. Loehr, Nathan Alderman, Travis Bedard and Tara Anderson


22

Come for the Aubrey Plaza Energy, Stay for the Tom Neal Back Story

Edgar G. Ulmer’s “Detour” is both a low-budget B movie, and one of the most influential and elemental examples of America’s film noir. Its stars were largely unknown, and it was released by a poverty row studio. It’s also a great film - one that was “rediscovered” by film nerds and preservationists in recent years, and has now been restored and given a Crierion release. What’s all the fuss? We’re gonna find out?

Nathan Alderman


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