Tim Goodman, chief television critic for The Hollywood Reporter, talks regularly with Jason Snell about what’s going on in television, what shows to watch, and what shows to skip. This podcast is released simultaneously worldwide to all international markets for your binge-listening pleasure.

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184

Clowns Are Running the Show

Tim reviews Netflix’s controversial “Insatiable” which turns out to be less interesting than it might have originally appeared. Plus, “Get Shorty” returns if you can find it. And while we keep joking about the Amazon Prime streaming graveyard, Tim is convinced that it’s a sleeping giant that has just awakened. Plus, Jason finishes “Cloak and Dagger” and we pick surprising casting in recent and forthcoming TV series.

Tim Goodman and Jason Snell


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Previous Episodes

183

Maybe You Won’t Hate Me

Tim’s back from a very short Death March with Cocktails with news about what’s up with streaming and cable companies. Plus “Better Call Saul” returns, “Lodge 49” finally premieres, Facebook Watch fools no one, and Amazon Prime Video’s new leadership says hello to Tim.

Tim Goodman and Jason Snell


182

It’s Just You

Before Tim heads off to the Death March With Cocktails (Summer Press Tour) for a week, he checks in with Jason to discuss “Lodge 49” (set your DVR’s next week when you can!), “Fauda”, and more on the dramatic week for HBO and Netflix. And of course we answer some of your tweets and letters.

Tim Goodman and Jason Snell


181

They’re Not Voting With Their Conscience

Jason’s back from his vacation and there’s a lot to talk about, as Tim reviews new series from Canada (via Hulu) and India (via Netflix). Also, the phone company comes calling for HBO, and Tim reacts—with some anger and also a little bit of appreciation—to the release of the Emmy nominees.

Tim Goodman and Jason Snell


180

That’s Tip Money

Two big streaming shows worth your time debut today. On Netflix, it’s the second season of “GLOW”, and on Amazon, the remarkable miniseries “A Very English Scandal.” Tim’s got reviews of both, and then our attention turns to how Apple is spending a lot of money to become a major player in television—but hasn’t actually announced anything yet.

Tim Goodman and Jason Snell


179

The Helicopter Is a Character

This week Tim reviews Paramount Network’s “Yellowstone”, and then we dive into a last-minute plea regarding what shows and which performers should be nominated for Emmy Awards. And we leave a little room to answer letters about two sophomore series: the lauded “Legion” and the ignored “Goliath”.

Tim Goodman and Jason Snell


178

Titan of Industry

Tim’s back from the ATX Festival in Austin and just before the Emmy season gets heated up, it’s time to talk about another hidden gem—“Moone Boy”. Plus, one of our listeners gets namechecked for helping to save “The Expanse”, Jason gets happily pedanted, and Tim gets a bunch of viewing tips from a data scientist.

Tim Goodman and Jason Snell


177

So Smart in Its Dumbness

We’re back with a spoiler-free look at the finale of “The Americans,” which is now safe for you completists to watch. We also walk through Tim’s latest Power Rankings! for comedies, and an OG TVTM listener pays us a visit via letter.

Tim Goodman and Jason Snell


176

BAJIP

We veer deeply into the sabermetrics of television as Tim discusses the 10 best-written series on TV. Plus we spend a lot of time on the return of “Arrested Development”, from Netflix’s catastrophic PR campaign to Tim’s review of the new season. And as always, we leave a little bit of room for your tweets and emails, in which we learn yet another terrifying fact about Australia and discover which streaming service is a graveyard from which shows never return.

Tim Goodman and Jason Snell


175

Joyful Salve

Cancellation is in the news and we discuss the new rules of TV show cancellation and survival! Plus, vintage TV series that are ready to be reimagined, a guide to hidden gems in an age of peak TV, and we answer your letters.

Tim Goodman and Jason Snell


174

Sophomore Year

The art of a successful sophomore season, the little details that make a great TV performance, hidden gems, and crossover contenders. This episode has a low floor but a high ceiling.

Tim Goodman and Jason Snell


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