Tim Goodman, chief television critic for The Hollywood Reporter, talks regularly with Jason Snell about what’s going on in television, what shows to watch, and what shows to skip. This podcast is released simultaneously worldwide to all international markets for your binge-listening pleasure.

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173

Reviled for Its Flaws

Sometimes the flaws are what make something interesting. That’s the case, Tim argues this week, with HBO’s “Barry” and BBC America’s “Killing Eve.” Plus, Tim and his colleague Dan disagree on the second-season directions of “Westworld” and “The Handmaid’s Tale.”

And this film we once saw was reviled for its flaws
But its flaws were what made us have fun

Tim Goodman and Jason Snell


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Previous Episodes

172

Let’s Unleash Them

Tim reveals big changes in his Power Rankings! with a bunch of new series entering the hallowed list of 21 top shows to watch right now. And after a whole lot of anticipation, here comes season 2 of “Westworld.” Tim’s seen the first five episodes and has an early review.

Tim Goodman and Jason Snell


171

What Is Even Happening Here?

We say goodbye to legendary TV producer Stephen Bochco, and then Tim reviews “Dangerous Book for Boys”, “Howards End”, “Killing Eve”, and “Legion” season two. Jason praises the just-completed seasons of “The Magicians” and “Counterpart”. And Listener Dean forces us to explain why we didn’t talk about “Roseanne.”

Tim Goodman and Jason Snell


170

That Was for an Experiment

In a tight and bright episode, Tim reviews the new season of “The Americans”, we go over some draft rules, and answer your letters.

Tim Goodman and Jason Snell


169

Did I Just Columbo You?

This week Tim reviews “The Mechanism”, from the director of “Narcos”, and Danny Boyle’s story of the Getty Family, “Trust”. Plus we muse about TV streaming fantasy drafts and readers have thoughts about what to do while folding laundry.

Tim Goodman and Jason Snell


168

You’re Not a TV Fish

This week Tim has some advice for the Obamas about their potential deal with Netflix, plus reviews of “Krypton” and yes, the CBS drama “Instinct.” Plus listeners have feelings about the ways that Netflix has wronged them.

Tim Goodman and Jason Snell


167

A Picture of Pete

It’s hard to make a TV show even in an era of peak TV, but what’s even harder is finding an audience willing (and aware enough) to return for a second season. As “Atlanta”, “Jessica Jones”, “Sneaky Pete” and “Legion” return, why is it so hard to break through and reach viewers for a second season? Also, Tim reviews HBO’s “Barry” and the return of “Sneaky Pete”, and we still have time to fit in two classic reader letters about the past and future of foreign-language dubbing.

Tim Goodman and Jason Snell


166

Through the Warmhole

This week Tim brings back the Power Rankings and reviews the new show from the creator of “Luther”, plus we have a whole lot of follow-up about Netflix season summaries, dubbing, and the Olympics. Finally, we may have reached Peak Cop/Not-a-Cop.

Tim Goodman and Jason Snell


165

Whole-Face Burn-Off

The show is not cancelled! After a week off, we’re back to discuss Tim’s latest reviews—of “Everything Sucks”, “Final Space”, “McMafia”, and season two of “Atlanta.” Also, who’s winning the streaming wars? And we answer your letters.

Tim Goodman and Jason Snell


164

Old-School Grandma Network

Are we living in a golden age for televised science fiction and fantasy? Tim thinks it might be possible. We discuss “Altered Carbon” and wonder if it’s just the latest in a string of prestige, high-profile series that have elevated the genre to new heights.

Tim Goodman and Jason Snell


163

They’re Like Floppy Disks

So many reviews, so little time! In this tight-and-bright edition of the TVTM, we’ve got Tim’s reviews of three new series: HBO’s supernatural family drama “Here and Now”, Netflix’s spectacular sci-fi noir “Altered Carbon”, and Amazon’s Bulgarian FBI drama “Absentia”. Plus, a quick run through some letters about bad titles, “Detectorists”, cold hard cash, and the merits of remaining indoors.

Tim Goodman and Jason Snell


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