Endlessly quoted, residing on every list of the best films of all time, you might think that “Casablanca”—released 75 years ago—is overrated and played out. Nope! It’s a fun film with romance, snappy ironic dialogue, and a stunning cast. And it’s also a fascinating historical document, given that it was written before Pearl Harbor and produced in the early days of America’s involvement in World War II, when the end of the war was anything but a foregone conclusion. We discuss the magical letters of transit, Captain Renault’s jocular amorality, Victor Laszlo the speechifying drip, Ilsa’s piercing stare, Major Strasser’s favorite cereal, Sam’s implausible piano handwork, the Ken Cinema in San Diego, and how the war was like a rap battle.
Old Movie Club returns with two paranoid films set amid the intrigue of postwar Europe: 1949’s “The Third Man” and 1965’s “The Spy Who Came in from the Cold.” The former features Orson Welles, a collection of suspicious characters in Vienna, and a whole lot of zither music. The latter features Richard Burton mixing insobriety with spycraft, and a very peculiar library. (This episode is presented in black and white.)
A bunch of people born in the 1970s discuss two films from that decade about young people coming of age: 1973’s “American Graffiti” and 1979’s “Breaking Away.” The first is a film (set in 1962) featuring young people driving around a northern California town on the last night of summer before reality sets in; the second is about young people riding bikes (and swimming in a quarry) in Indiana. The first comes from the future director of “Star Wars”; the second comes from the future director of “Krull”. Both are full of faces you will recognize. And both have interesting things to say about being young and the prospect of growing up.
The epic film about the early days of the space race, 1983’s “The Right Stuff,” is on the launch pad this week. What does the film say about modern mythmaking? Can you have too much Chuck Yeager? Is this peak Dennis Quaid? Why do astronauts have to be test pilots instead of demolition-derby drivers? We’ll figure it out. Let’s light this candle!
Old Movie Club returns with two classic films directed by Billy Wilder and starring William Holden: The darkly tragi-comic Hollywood story “Sunset Boulevard” and the dramati-comic World War II prisoner-of-war story “Stalag 17.” Monty pitches a “Sunset Boulevard” prequel featuring a butler and a chimp. We notice the similarities between “Stalag 17” and an enormous number of sitcoms and comedy films from the following 30 years.
Old Movie Club views two films produced—and some would say directed—by Howard Hawks. The fast-paced comedy “His Girl Friday” leads us off, followed by the original sci-fi horror film “The Thing from Another World.” Both feature snappy overlapping dialogue, but only one features a murderous alien carrot man.
On this Old (Holiday) Movie Club, we review a certifiable Christmas classic, “Miracle on 34th Street.” Then we watch a very different sort of film set on Christmas, “The Lion in Winter.”
Old Movie Club returns with two films featuring George C. Scott: “The Hustler” (featuring an electric performance by Paul Newman) and “Anatomy of a Murder” (starring Jimmy Stewart as a simple country lawyer). One more outburst and I’ll clear this courtroom!
Old Movie Club reconvenes to watch two films based on the works of Dashiell Hammett: 1934’s “The Thin Man” and 1941’s “The Maltese Falcon.” We appreciate the drunken aplomb of Nick and Nora and the shifty glory of Peter Lorre and Sydney Greenstreet, all while taking in the faint scent of gardenias.
Play ball! It’s opening weekend, so Old Movie Club returns with two classic baseball movies: “Pride of the Yankees” and “The Bad News Bears.” Even if you don’t like baseball (like Erika), you may enjoy these movies just fine! One’s a biopic from the 1940s complete with a song, and the other is an appropriately gross 1970s comedy. Join us, won’t you?
Our Old Movie Club, featuring classic films many of us haven’t seen selected just for us by Philip Michaels, is back!
In this edition, we look at two underappreciated films of Alfred Hitchcock: 1943’s “Shadow of a Doubt” and 1948’s “Rope.” The former features Joseph Cotten shooting up through the ceiling of creepy, a battle of telepathy versus telegraphy, the special bond of people named Charlie, murder by soda, and an appearance by the Exposition Radio Network. The latter offers long unbroken scenes, drunk Farley Granger, a perfect murder perpetrated by Batman villains, and Jimmy Stewart as Columbo. Both films have Hitchcock in common, as well as Hume Cronyn… and murder!
In just moments, Rufus T. Firefly will appear, and all the people of Freedonia will cheer at the presence of their new leader. In the meantime, let’s take some time in our Old Movie Club to discuss the enduring and hilarious works of the Marx Brothers in general and the films “Duck Soup” and “A Night at the Opera” in particular.
Old Movie Club returns! And things get dark awfully fast, because we watched two Film Noirs: “Kiss Me Deadly” (1955) and “Out of the Past” (1947). These films contain action, punching, unlikely romance, death by fishing line, horrible ethnic stereotypes, questionable female characters, inexplicable plots, and a box containing a nuclear whatsit. Va-va-va-voom!
Break out the stars and stripes, put on your tap shoes, crawl into your shame hole, and join us for a very patriotic edition of Old Movie Club. We discuss the musical “1776,” which stars KITT from “Knight Rider” and the guy from “The White Shadow,” and the biopic musical “Yankee Doodle Dandy,” which stars James Cagney.
We reconvene our Old Movie Club to watch two gritty early-1970s films that have been unfortunately remade in the last decade: “Get Carter” starring Michael Caine, and “The Taking of Pelham One Two Three” starring Walter Matthau. We learn about slide-based pornography, metaphors involving stick-shift cars, angry New York transit officers, kazoo parades, and so much more.
Old Movie Club returns! We look at three films from 1952: “Singin’ in the Rain,” “High Noon,” and Best Picture winner (!) “The Greatest Show on Earth.” One of these movies is not like the others. Plus: The haunting repetition of Tex Ritter! Charlton Heston’s commitment to the circus! And Phil asks Jason what it feels like to have no soul! Travel back 61 years in time and join us, won’t you?
Special guest star Philip Michaels gives us an old-movie education with two caper movies from the 1950s, “The Lavender Hill Mob” and “The Killing.” One’s funny, one’s not, but both teach us that crime doesn’t pay! Plus young Stanley Kubrick, funnyman Alec Guinness, the second-greatest fight scene Steve has ever seen, and a guest appearance by General Eisenhower.