July 2009 Archives

Fangs a Lot, BBC America

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Just a quick post to inform anyone who hadn't been within a mile of BBC America for, oh, the past three months that Being Human finally premiered last Saturday. The story of a vampire, a werewolf, and a ghost all sharing a flat in Edinburgh Bristol happily remains just as big-hearted, funny, and spine-tinglingly creepy in series form as it did in its pilot.

New cast members Aidan Turner (as Mitchell the vampire) and the delightfully bubbly Leonora Critchlow (Annie the ghost) manage to improve on the already-good actors they've replaced from the pilot. Russell Tovey (George the dorky werewolf) remains the show's highlight, able to switch deftly from nervous comedy to hair-raising screams of anguish as he wolfs out.

The subplot about Mitchell's darkly ambitious vampire pals now feels a lot fresher and more interesting, in part thanks to Jason Watkins filling Adrian Lester's shoes as head bloodsucker Herrick. He's now a police sergeant, which gives the character an air of ominous authoritarian menace, and as written by creator Toby Whithouse and portrayed by Watkins, Herrick walks a fine and unnerving line between charming and terrifying.

In short, it's a winner of a show for sci-fi and horror fans -- the rare jaunt into scary territory that's also truly, wonderfully funny, and has real sympathy for its well-drawn characters. Unless you're out on the prowl for fresh blood, locked in the basement for your "time of the month," or too immaterial to pick up the remote, give it a try.

Things go bump in the night Saturdays at 9 p.m. on BBC America.

Blink BOOM

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harrypotter.jpgI saw Harry Potter and the Endless Franchise the other day.  (Can you remember a time when we weren't watching Harry Potter movies?  Can you imagine a time when we won't be?)  I don't want to review the movie, really, except to note that it's one of those middle-of-a-series movies where plot threads are mainly carried forward and nothing is really resolved; if you haven't been paying attention to the whole series none of it will make the slightest sense; and even though I'd read and enjoyed the book I spent most of the movie slightly bewildered and confused anyway.

I may have been more addled than usual, though, thanks to the movie trailers preceding the main film.  The previews were for some remarkably adult, violent movies, including 2012, the upcoming end-of-the-world flick starring John Cusack (was Nicolas Cage too busy doing Knowing?) from the overwrought forge of Roland Emmerich; and also a version of Sherlock Holmes starring Robert Downey Jr. as the great detective and Jude Law as Watson, which casting makes it sound awesome, except judging by the trailer someone decided, for reasons entirely unclear to me, to make Sherlock (not to mention Downey) into a martial arts action hero.
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All of which is bad enough, honestly.  But what really got to me is this new style of trailer I've been seeing far too much of lately.  I'm guessing that, in a world where the In a World Guy is dead, and anyway where he spent the last decade or so satirizing himself (and being satirized), in that world we need some new movie trailer cliche we can have beat into our foreheads, and this is it:  The Blink BOOM Trailer.

That's where we get a quick shot, usually of something supposedly unspeakable happening, and then a rapid fade to black while the soundtrack goes BOOM!  This is followed by another quick shot, rapid fade, BOOM!  Over and over.  It's like being hit in the head with a bat repeatedly.

I'd rather the movie studios just hire a really big scary guy to come into the theater and say, "If you don't go see Roland Emmerich's latest masterpiece I'M GOING TO KICK YOUR ASS!"  Because, whether I did or didn't go see it, the experience would be less painful than the Blink BOOM Trailer.




So Bad, They're Great

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leverage.jpgHear that low, rhythmic rumbling sound in the distance, drawing ever nearer as Wednesday, July 15 approaches? That, my friends, is what John Rogers -- co-creator of TNT's terrific heist-caper series Leverage -- refers to as The Fun Train. And it's going full steam ahead.

Look, if you don't enjoy heist capers in at least some way, shape, or form, you're most likely a Communist. Or dead. Or a dead Communist. A brilliant mastermind assembling a team of eccentric experts to pull off an elegant, morally justifiable bit of larceny? What's not to love? Leverage, with its breezy writing and first-rate cast, delivers all of this in spades. But beware -- this show's running a con of its own, and you, the viewer, are the mark. Because The Fun Train makes sudden and unexpected stops, and the stations at which it does are dark, lonely, compelling places indeed.

 

Re-watching Lost, Season 1, Episode 2: "Walkabout"

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This episode of “Lost” reveals the truth about John Locke and plants several other seeds that suggest the island we’re on isn’t peculiar only because it’s the home of a loud yet strangely invisible monster. A full report on “Walkabout” coming right up — but not before I check the cancellation policy for my Australian Walkabout tour…

 

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